Tsz Yan Ng Blends Textile Methodologies with Architectural Production to Find New Ways to Build

Tsz Yan Ng is a Michigan-based firm principal, professor, researcher, and artist whose interdisciplinary and collaborative work seeks to challenge and improve upon modern fabrication and manufacturing practices. “We haven’t changed the way we build in so long,” Ng said. “We need to think of it more productively—not just economically—but as a collection of different voices. Architecture is a global ecosystem of people, where the sum is greater than the parts.”

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Robotic needle felting in Ann Arbor, Michigan, an ongoing project by Tsz Yan Ng Design and Wes McGee. . Image © Tsz Yan Ng

Raised by parents in the garment business, from a young age Ng has been acquainted with the manufacturing industry and its shortcomings. She teaches a class at the University of Michigan on “Sartorial Architecture,” which examines architectural and clothing manufacturing alongside these industries’ global economic, social, political, and environmental impacts. The course challenges students to grasp the complexities surrounding the production of a simple t-shirt and imagine applicable solutions to counter the system’s many flaws. At the heart of this discussion is the issue of labor and how modern technologies can be used to alleviate unfavorable conditions for laborers as well as optimize and expand upon existing building practices.

The textile industry is further examined in Ng’s independent practice, where her second major interest—concrete—also comes into play. For 15 years, Ng has conducted extensive scientific and applied research on textile manipulation and concrete forming. Her recent endeavors include 3D printing with engineered cementitious composites and robotic needle felting. These two passions coalesced with the design of a garment factory in Shantou, China for New York-based fashion brand, Lafayette 148. The form of the building was driven entirely by the organizational structure of garment production, while innovations in concrete aided in providing open, well-lit, and ventilated workspaces. Experimentation in post-tensioning the concrete allowed for extended spans without column interruptions and a punctured concrete brise-soleil, curved to resemble a woven textile, opens the facade to light and air.

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SOM Explores Future Timber Construction Methods at the 2021 Chicago Biennial. Image © Kendall McCaugherty © Hall+Merrick Photographers

Throughout her career, Ng has situated her work in the R&D space of building science, which she hopes will see more investment in the coming years. These explorations pull in professionals of many disciplines—roboticists, material scientists, engineers, historians—furthering Ng’s belief that collaboration across many fields is the key to pushing all architecturally related industries into a safer, cleaner, more equitable, and more productive future.

This article is part of The Architect's Newspaper's series of profiles on the Architectural League of New York’s 2022 Emerging Voices winners. JA Architecture Studio and Tsz Yan Ng Design presented their respective work at the Architectural League's annual online program on March 17th.

This article was originally published in The Architect's Newspaper.

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Cite: Sophie Aliece Hollis. "Tsz Yan Ng Blends Textile Methodologies with Architectural Production to Find New Ways to Build" 28 Feb 2022. ArchDaily. Accessed . <https://www.archdaily.com/977648/tsz-yan-ng-blends-textile-methodologies-with-architectural-production-to-find-new-ways-to-build> ISSN 0719-8884

The SPLAM_SPatial-LAMinated Timber (SLT) Pavilion/Outdoor Classroom in Chicago during 2021. The project was realized for the Chicago Architecture Biennial by a team consisting of Tsz Yan Ng Design, Wes McGee Skidmore Owings & Merrill, and Epic Academy. . Image © Kendall McCaugherty/Hall & Merrick Photographers)

纺织手法与建筑生成相结合,寻找新的建造方式

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